These landscapes exist beyond the tangible—spaces where time slows, and the mind can wander freely. In Landscapes for Meditation, I merge acrylic painting with collage, layering 19th-century prints into compositions that invite contemplation.
Each piece is a fusion of past and present, of texture and memory, forming dreamlike places for quiet reflection. They are not just landscapes; they are thresholds—gateways to stillness, to imagination, to something just beyond reach.
